Here's a look at the top 10 tweets from your favourite Bollywood celebrities.
20 years ago this week, India and Australia played one of the greatest Test matches in cricket history. Sreehari Nair relives the sound and the fury of that unforgettable game at the Eden Gardens.
'I have always been told 'thoda sa aur, thoda sa aur.' 'That's why I was always hamming.'
'Maneesh Sharma's Fan should be good. It will have Shah Rukh doing something entirely different from what he has been doing recently.'
Despite its many problems, A Death in the Gunj is an important work says Sreehari Nair.
Sukanya Verma's super filmy week was high on emotions.
Quentin Tarantino's latest film is his most unpleasant, feels Raja Sen.
'I went away from the industry because all the people I enjoyed working with, like Manmohan Desai and Prakash Mehra, are no more.' 'They left this world and went away, so I lost interest in my work.'
Wondering where most of them disappeared?
'Movie plots clearly don't excite director Dileesh Pothan as much as true stories where life had come dizzyingly close to becoming like a movie and then, had fused back with life.' 'This means that a conversation he overhears at a tea shop is more likely to give Pothan a setting for his next picture than a brainstorming session inside a conference room,' says Sreehari Nair.
Bollywood inspired weddings, Dharmendra's cringe-worthy attempt at realism, Sridevi and Aishwarya's painful connection and more in Sukanya Verma's Super Filmi Week.
Irrfan Khan talks Piku and his next Hollywood film, the Tom Hanks starer Inferno.
The movies that impressed, puzzled and stunned Sukanya Verma at MAMI this year.
Sooper Se Ooper will not be able to make you laugh like Sidhu or Archana Puran Singh performing on their respective shows but it will make you chuckle to yourself softly at situations and the characters' reaction to them, writes Paloma Sharma.
Sukanya Verma talks about her yet another fun filmi week!
Sultan, Mohanjo Daro, and Pankaj Nihalani... Sukanya Verma shares her exciting filmi week with us!
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
Hasee Toh Phasee takes a familiar premise -- two people on the brink of tying the knot and introduces a third party to cause expected stir. Only it doesn't happen like it used to, writes Sukanya Verma.
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.
Amitabh Bachchan talks about Te3n, Aaradhya and actors he would love to work with!
These predictions will ensure you have the perfect romantic day.
It is always wonderful to discover a gem of film at an international film festival. It is even more exciting when that film is from India.
Aseem Chhabra gives us the top films that enriched his year.
Arthur J Pais interviews John Madden, director of the Marigold Hotel films, on the difficult task of creating an equally hilarious and as feeling a sequel.
How many of these have aged well?
'If the State does want to come after you, in India, it can do pretty much anything. And often it isn't as though the orders are coming from the President or prime minister, no, the systems have been built in a way -- or we have allowed them to be built in a way -- that almost encourages crushing of liberties.'
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
